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190349 comments

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  • Ronny Colgan Ronny Colgan Sunday, 01 December 2024 03:25 Reply

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    What do pop star Lily Allen, Olympic gold medal-winning diver Jack Laugher, tennis player Nick Kyrgios and 25-year-old Bonnie Blue from Nottingham,
    who has filmed herself having sex with hundreds of 18-year-old students (and sometimes their dads, too), all
    have in common?

    Yes, you guessed it. They are all ‘creatives' on OnlyFans, the adults-only online content provider founded in 2016 by a young Essex businessman called
    Tim Stokely, which is now one of the most visited (and lucrative) websites in the world.


    Just last month, Lily Allen caused a stir by revealing that she makes more money charging $10 (£8) - the
    site works in dollars - for pictures of her feet on her OnlyFans
    account labelled ‘La Dolca Feeta' than she does from her
    7.5million monthly listeners on Spotify.

    But Lily's content is tame in comparison to much of the
    content on the site, the sort company execs refer to as
    ‘spicy'. Everything from cheeky shots of bottoms peeking out of bubble
    baths, blondes stirring vats of steaming pasta in G-strings, hot men waxing cars in their pants, right through the sex spectrum to twosomes,
    threesomes, sixsomes and hardcore pornographic videos.

    But also because, thanks to the allure of OnlyFans and the astonishing sums that a teeny number of the platform's 4.1million creatives
    are raking in, more and more young women (and it is
    mostly young women) who would never have considered it before
    are suddenly happy to join in and sell photos of, well, pretty much anything, to pay rent, settle credit card bills or splash out on nice holidays.
    Basically, a flashier life all round.

    ‘We feel empowered. We have agency. It's completely up to
    me if I take my top off or not,' says one 21-year-old girl, who joined
    a year ago and makes enough in a week to cover a year's student rent at
    Sheffield University and prefers not to give her name.


    ‘And I am happy to do it because for once I make the rules,
    in the safety of my home and they're paying me to do it.
    It's a mug's game, but I am not the mug.'

    For the benefit of those readers who are not among the site's 305million users,
    OnlyFans offers creators a platform where they can charge their fans a
    subscription fee ranging from $4.99 to $49.99 a month to look at
    their content, contact them (or more often access
    their ‘chatter' - more of which later) and access often more explicit, personalised,
    ‘à la carte' content through ‘tips'.




    OnlyFans model Bonnie Blue has filmed herself having sex with hundreds of 18-year-olds





    Rapper Cardi B is said to make $9million (£7.1million)
    a month from the site





    Actress Bella Thorne, a former Disney child star, made a record-breaking $1million (£800,000)
    in 24 hours

    ‘Pay $10 to unlock this video'. ‘Click here for more spicy content'.
    ‘The more you pay, the more you see'. You get the gist.


    In 2023, the site generated a record $6.6billion (£5.2billion),
    of which the company takes a straight 20 per cent - much less than YouTube - and the rest goes
    to the ‘performers'.

    It is unlike Instagram or other social media
    sites in that nothing is suggested - instead, you have to search for, and then subscribe to, individual accounts to see much more than profile pictures.



    Which is a good thing, because while some of the content is anodyne,
    much is highly sexual and many people on the site can bob freely from one to another.
    Perhaps a cookery hack one day, modelling new boots the next,
    then graduate to a few cheeky cleavage and bikini shots and more, as the money becomes
    more tempting.

    Every week, it seems, we hear of someone who has made millions.


    Last month it was announced that American influencer Corinna
    Kopf had retired from the site, aged 28, after making
    $67million (£53million). In her best month,
    she reportedly earned more than $2million (£1.6million).


    Rapper Cardi B is said to earn more than $9million (£7.1million) a
    month from the site.

    Meanwhile, Darcie Rattles was an out-of-work bricklayer with £6,
    000 in credit card bills and debts when she joined OnlyFans in 2022.


    ‘I was thinking: how the hell am I going to get to next week?
    How am I going to pay my credit cards?' she says in an online interview.

    ‘I'm young, I've got a good body and I've got a lot of followers.
    It is what any girl would turn to. It had been in the back of mind
    for two years, but then I did it.'

    Within two days of launching, she had earned enough to pay off her debts.
    Today, Darcie, who comes across as likeable, down-to-earth and has no qualms about what she shares, claims to earn more than £250,000 a year.





    Pop singer Lily Allen has discovered a niche market...






    ... she sells pictures of her feet for £8 and makes more money
    from her account labelled 'La Dolca Feeta' than she
    does from her 7.5million monthly listeners on Spotify

    ‘It doesn't matter to me whether I get my feet out, or my other bits
    out,' she says.

    Though it does tend to be the other bits, because
    Darcie's content promises very few clothes and, for those who pay extra,
    ‘a naughty side to me you've never seen before'.



    But even Darcie seems like the girl next door compared to Lily Phillips,
    a British model who earned £2,000 in her first 24 hours on the site and recently went viral for sleeping with 101 men over a 14-hour period.
    She has since announced she is planning to set a record of having sex with 1,
    000 men in 24 hours.

    And Bonnie Blue, a beautiful blonde with a golden tan and
    astonishingly white teeth, who has worked her way round Derby, Nottingham, Cancun and Australia,
    sleeping with university students.

    On one night during Nottingham Trent freshers' week - after publicising her stunt by wearing a
    sandwich board that read: ‘Bonk me for free and let me film it' - she had boys
    queuing up from 6pm until five in the morning.


    ‘I got through them all,' she said proudly in one interview
    in which she reminds us that, thanks to OnlyFans, she has already
    banked more than £3 million - for which she was applauded by her followers for
    her entrepreneurship.

    But all that is chicken feed when you consider the £370
    million dividend that company owner paid himself last
    year.

    And these days that's Leonid Radvinsky, who bought a majority stake from Tim Stokely in 2018,
    two years after he started the business with the help of
    a loan from his father.

    It was the Covid-era lockdowns that thrust OnlyFans into the stratosphere.

    Everyone shut up at home, nothing to do. In 2020, it generated revenues of $2.23billion (£1.8billion).
    By 2021, it was up to $4.8billion (£3.8billion).
    There was a brief hiatus in October of that year when they tried banning
    sexually explicit content but that lasted about ten minutes
    before they switched back.

    There have been plenty of scandals along the way.

    A BBC investigation back in 2021 revealed that
    children were not just accessing the material online by foxing the age verification process but were also selling explicit videos on the website.
    Leah, 17, had used a fake driving licence to set up an OnlyFans account
    where she made £5,000 uploading revealing videos of
    herself.

    There have also been claims of OnlyFans creators using public gyms
    and spaces to make adult content.

    Recently there has been more concerns that the company is not doing enough to protect minors.


    OnlyFans, however, prefers to portray itself as a force for good, with supporters arguing that it empowers people by
    allowing them to sell content - over which they have
    full control - directly to consumers. And many of the Gen Z generation seem to agree.

    ‘It's fine. It's empowering. It's taking control,' they cry,
    pointing out that the site has loads of moderators and a tight security system to
    ensure that all users are over 18.

    And they say, anyway, that OnlyFans isn't just about sex.


    Of course, they're right. It has long been awash with
    pneumatic reality TV stars and the likes of Lottie Moss, Kerry Katona and Katie Price, who are happy to tease their followers with a few
    cheeky peeks in skimpy bikinis.

    I spend an afternoon browsing the site and, while it is not all ‘spicy' content as the
    company executives like to call it, everything is dripping with sauce
    and promise.

    The big lips, the push-up bras, even the way a
    pretty Spanish chef is holding her paella pan. Company executives have been pushing hard to make the platform more mainstream - offering contracts
    and financial incentives to encourage musicians, sports stars, cooks, anyone really, to come on and share a bit of
    exclusive - or niche - content.

    Really, anything that people will pay to look at - glimpses backstage at concerts.
    Celebrities in the bath.

    During the 2024 Olympic Games, a raft of athletes jumped
    on the OnlyFans bandwagon to share pictures of
    their beautifully toned bodies.

    Along with Jack Laugher, Team NZ rower Robbie Manson uses the site to share
    ‘exclusive content that tastefully explores the boundaries, including artistic portrayals of nudity' for $14.99
    a month. British speedskater




    Olympic diver Jack Laugher is among a number of sports stars using OnlyFans





    Reality TV star Kerry Katona has also teased followers with content





    Lottie Moss  has also taken to the adults-only online content provider that was
    founded in 2016 and is used by 4.1 million creatives

    Elise Christie turned to the site when she found
    herself in financial difficulties.

    All of which seems to be working well for them, but it
    can be rather murkier for others.

    Not least because, in less than a decade, OnlyFans has spawned an entire support industry of ‘sugar daddies' who support
    performers financially and ‘chatters' who work for them. ‘Sugar daddies' tend to be older
    male businessmen who ‘invest' in promising creatives. In what are
    referred to rather murkily as ‘mutually beneficial deals',
    they invest in branding and marketing and videography to boost traffic.


    Chatters are different. For the real stars, the traffic
    is so high and the interaction with followers so demanding that if
    they had to do it all themselves, there's no way they would ever have time to put their pyjamas back on.

    So ‘chatters' - a sort of online 21st-century Cyrano de
    Bergerac - do that for them. Keeping them engaged, online, needy and most
    of all, spending, spending, spending for more and more content.


    Which means, of course, that the whole thing is a total scam.
    The poor daft subscriber thinks he's really making a connection with ‘Racy Tracey from Twickenham', but is
    more likely chatting to a middle-aged father of three from
    the Philippines.

    He will have learnt everything about Tracey - her
    favourite colour, favourite animal and favourite position - have studied a
    script that reminds him ‘it's all about selling, selling,
    selling', and will be being paid $4 an hour for his
    efforts. Or the subscriber could just be talking to an AI
    bot - which perhaps is more appealing.



    Read More


    EXCLUSIVE

    A year after split, I've had a baby and got engaged, writes Mother Pukka ANNA WHITEHOUSE


    Chatters can be dangerous. As Alanya, a paralegal
    from Scotland, discovered when she learned that one of her
    most enthusiastic followers had travelled to her home town to find her, encouraged by her chatter.



    ‘My chatter told him that I loved him. I would never, ever have said
    that,' she said.

    But, sadly, chatters, sugar daddies and stalkers are not
    a problem for most creatives. Almost all of whom are still
    struggling to make any proper money, however many clothes they take off.


    They will never know the clout of Cardi B, or Lily Allen, or former Disney
    child star Bella Thorne, who famously made a record- breaking $1million (£800,000) in 24
    hours when she joined in August 2020. (Though initially there was some confusion as
    to whether she would be appearing nude or not. She did not - which caused quite a rumpus.)

    Because, unlike celebrities who can redirect their existing social media followers to their OnlyFans
    accounts, most people find it hard to grab attention without
    doing something, well, grabby.

    So, despite all the tales of golden riches,
    the average earnings of an OnlyFans creative is still just $150 (£118) a month and,
    with the market now so flooded, is only likely to go one way.


    And it's easy to see how, if you're a young woman who has convinced yourself that you're in control, empowered and mistress of your own destiny, you could find yourself moving inevitably and inexorably up (or perhaps
    down) the scale, revealing more and more.

    Until, before you know it, like Bonnie Blue and Lily Phillips,
    you've kept nothing back for yourself.


    NottinghamLily AllenOnlyFansJack Laugher

  • คําหน้าพวงหรีด คําหน้าพวงหรีด Sunday, 01 December 2024 03:10 Reply

    Amid tepid returns at the box office for Joker:
    Folie à Deux, a number of fans of the sequel took to social media over the weekend in defense of
    the sequel to Todd Phillips' 2019 motion picture.

    The film, which sees Joaquin Phoenix return to the lead role of The
    Joker/Arthur Fleck, debuted to a paltry $40 million at
    the domestic box office, good enough for the weekend's top spot, but less than projections, and half that of its predecessor.


    Amid the early returns, a number of fans took up for the
    movie and its cinematic depth, in breaking away from the cookie cutter nature of sequels to introduce a
    musical element not present in the first film, with Lady Gaga joining the
    franchise.

    'Joker 2 was amazing,' one user said, adding that it was '100% as divisive as people are making it out
    to be. I love that the film didn't try to be a traditional sequel, and fully committed to the
    storytelling they presented. It never deviated to be a
    film full of Easter eggs or any other crowd pleasing aspects.'

    Another user said, 'I kinda loved Joker 2. I loved how it
    was structured as a meta-exploration of the first film's fandom
    and the musical elements were a lot of fun.'




    Amid tepid returns at the box office for Joker: Folie à Deux,
    a number of fans of the sequel took to social media over the weekend in defense of the sequel to Todd Phillips' 2019 motion picture,
    starring Joaquin Phoenix

    One user marveled that Joker 2 is 'getting universal hate despite being more
    interesting and creative than anything marvel has done in years is expected.'

    A user said that 'Joker 2 is genuinely such a clever movie which carries the character study
    format of the first movie into the second in a way
    which, surprisingly, will floor you by the end.
    I'm astounded reception is this bad because this is SUCH a clever movie'



    Read More

    Lady Gaga reflects on the ups and downs of her career... as Joker flops at box office


    Some users said that the bad word-of-mouth the film was suffering from was impacting the opinions of moviegoers.



    'The Joker 2 hate is so forced like did we watched
    the same movie????????' one user said, while another said the hate for the film is 'so unjustified.'

    One fan predicted that the motion picture with stand the test of time with audiences.


    'I may be one of ten people who genuinely liked the Joker 2.
    Remember me when society circles back to
    it in 10 years and says its a masterpiece,'
    said the user. 'The world just wasn't ready for it
    yet.'

    Said one user: 'I actually thoroughly enjoyed
    it. If you don't like musicals or 'art house' style films you probably won't like
    it because it's not made for you. The dynamic between Harley and Joker was brilliant and showcased the 'obsession' that is
    key to that duo.' 

    The movie's box office collapse was swift and has many in the industry wondering: How did the
    highly anticipated sequel to an Oscar-winning, billion-dollar film with the same creative team go wrong?
    Just three weeks ago, tracking services pegged the movie for a
    $70 million debut, which would still have been down a fair amount
    from Joker's record-breaking $96.2 million launch in October 2019. 




































    A number of fans took to social media to defend the controversial sequel





    Amid the early returns, a number of fans took up for the movie and its cinematic depth, in breaking away from the cookie cutter nature of sequels to introduce
    a musical element not present in the first film, with Lady Gaga joining the franchise 

    Reviews were mixed out of the Venice Film Festival, where it premiered in competition like the first movie and even got a 12-minute standing
    ovation.

    But the homecoming glow was short-lived, and the fragile foundation would crumble in the coming weeks with its
    Rotten Tomatoes score dropping from 63 percent at Venice to 33 percent by its first weekend in theaters. Perhaps even more surprising were the audience reviews: Ticket buyers polled on opening night gave the
    film a deadly D CinemaScore. Exit polls from PostTrak weren't any better.
    It got a meager half star out of five possible.


    'That´s a double whammy that´s very difficult to recover
    from,' said Paul Dergarabedian, the senior media analyst for Comscore.
    'The biggest issue of all is the reported budget. A $40 or $50 million opening for
    a less expensive movie would be a solid debut.'

    Joker: Folie à Deux cost at least twice as much
    as the first film to produce, though reported figures vary at exactly how pricey it was to make.

    Phillips told Variety that it was less than the reported $200 million; Others have it pegged
    at $190 million. Warner Bros. released the film in 4,102 locations in North
    America. About 12.5 percent of its domestic total came from 415 IMAX screens.


    Internationally, it's earned $81.1 million from 25,788 screens, bringing its total global earnings estimate to $121.1
    million. In the next two weeks, Joker 2 will also open in Japan and China.


    Second place went to Universal and DreamWorks Animation's The Wild Robot,
    which added $18.7 million in its second weekend, bringing its domestic total to nearly $64 million. Globally, it's
    made over $100 million. Warner Bros.' Beetlejuice Beetlejuice  took third place in weekend five, Paramount's Transformers One landed in fourth
    and Universal and Blumhouse's Speak No Evil rounded out the top five.


    The other big new release of the weekend, Lionsgate's White Bird, flopped with just
    $1.5 million from just over 1,000 locations, despite an A+ CinemaScore.



    Overall, the weekend is up from the same frame last year, but Joker's start is an unwelcome twist for theater owners hoping to narrow the box office deficit.










    The sequel has already been the subject of many think pieces,
    some who posit that it was deliberately alienating fans of the first movie

    Phillips and star Joaquin Phoenix have said they aspired to make something as 'audacious' as
    the first film. The sequel added Lady Gaga into the fold , as a Joker superfan, and delved further into
    the mind of Arthur Fleck, imprisoned at Arkham and awaiting trial for the murders he committed
    in the first. It´s also a musical, with elaborately
    imagined song and dance numbers to old standards. Gaga even released a companion album called ''Harlequin,' alongside the film.


    The sequel has already been the subject of many think pieces, some who posit that
    it was deliberately alienating fans of the first
    movie. In cruder terms, it´s been called a 'middle
    finger.' But fans often ignore the advice of critics,
    especially when it comes to opening their wallets to see revered comic book characters on the big screen.

    'They took a swing for the fences,' Dergarabedian said. 'But except for a couple of outliers, audiences in 2024 seem to want to know what
    they´re getting when they´re going to the theater.
    They want the tried and true, the familiar.' 

    Deadline editor Anthony D´Alessandro thinks the
    problem started with the idea to make the Joker sequel a musical.
    'No fan of the original movie wanted to see a musical sequel,' he wrote on Saturday.



    The first film was also divisive and the subject of much discourse, then about whether it
    might send the wrong message to the wrong type of person. And yet people
    still flocked to see what the fuss was about.

    Joker went on to pick up 11 Oscar nominations, including best picture and best director, and three wins.
    It also made over $1 billion and was the highest-grossing R-rated film
    of all time, until this summer when Marvel's Deadpool & Wolverine took the crown.

    Estimated ticket sales for Friday through Sunday
    at U.S. and Canadian theaters, according to Comscore.

    Final domestic figures will be released Monday. 


    Joaquin PhoenixLady Gaga

  • ดอกไม้งานขาว ดํา ดอกไม้งานขาว ดํา Sunday, 01 December 2024 02:46 Reply

    An invitation to lunch at Caviar Kaspia was,
    once upon a time, an offer you simply didn't refuse.

    Providing, of course, that the bill was on someone else.
    Because caviar, smeared on blinis or piled high on baked potatoes, sure
    didn't come cheap. There may have been other things on the menu,
    but no one paid them much heed. This was all about lashings of the black stuff.






    Caviar Kaspia's signature baked potato and caviar:
    ‘there are few better dishes on earth…only the price,
    at just under £150, is ridiculous'

    Caviar Kaspia popped her final tin about two decades back.
    And that site, hidden down a smart Mayfair mews, was taken over by Gavin Rankin (who used to be the boss), and transformed into the
    brilliant Bellamy's. It prospers to this day. Kaspia,
    on the other hand, went quiet. Until last year, when she reopened as a members' club in another Mayfair backstreet.
    But a £2,000 a year membership fee proved hard to swallow, meaning
    the doors were opened to the great unwashed.

    Which is how we find ourselves sitting in a rather handsome - albeit near empty - dining room, lusciously lavish,
    under the stern gaze of a stern painting of a very stern man.
    The soft, crepuscular gloom is broken up by the glare of table lamps, indecorously
    bright, while a loud soundtrack of indolent, indeterminate beats throbs in the background.
    The whole place is scented with gilded ennui.

    Our fellow diners are two young South Korean women of pale, luminescent
    beauty, clad in diaphanous couture. They don't speak,
    rather communicate entirely via camera phone. Pose, click, check, filter,
    post. Immaculate waiters hover in the shadows.

    We sip ice-cold vodka, and eat a £77 caviar and smoked-salmon Kaspia croque
    monsieur that tastes far better than it ought to. Next door,
    a large table fills with a glut of the noisily, glossily confident.


    We're looked after by a wonderful French lady of such effervescent charm and charisma that had she burst into an impromptu performance of ‘Willkommen', we
    would have barely blinked. Baked potatoes,
    skin as crisp as parchment, insides whipped savagely hard with butter and sour
    cream, are a study in tuber art. A cool jet-black splodge of oscietra caviar, gently saline, raises
    them to the sublime. Only the price, at just under £150 each, is ridiculous.
    But there are few better dishes on earth. I'd eat
    this every day if I could. But I can't. Obviously.
    That's the problem with caviar. One taste is never enough.


    About £200 per head. Caviar Kaspia, 1a Chesterfield Street, London W1; caviarkaspialondon.com

    ★★★★✩

     



    My favourite luxury dishes
    Tom's pick of the best places to splash the culinary cash
    in LondonTom's pick of the best places to splash the culinary
    cash in London

    The Ritz






    Beef wellington sliced and sauced at the table (£150) and crêpes suzette flambéed with aplomb (£62):
    Arts de la Table is edible theatre at its most delectable.


    theritzlondon.com

    Otto's






    Come to this classic French restaurant for the
    canard or homard à la presse (£150-£220 per person); stay
    for beef tartare (£42), foie gras (£22) and poulet
    de bresse rôti (£190, two courses).

    ottos-restaurant.com

    Sushi Kanesaka






    Piscine perfection comes at an eye-watering £420 per person, sans booze.
    But this 13-seat sushi bar shows omakase dining at its very finest.


    dorchestercollection.com

    Min Jiang






    The dim sum is some of the best in town. But don't miss the wood-fired Beijing duck (£98) -
    crisp skin first, then two servings of the meat. Superb.


    minjiang.co.uk

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  • พวงหรีดดอกไม้สด ใกล้ฉัน พวงหรีดดอกไม้สด ใกล้ฉัน Sunday, 01 December 2024 00:59 Reply

    id="firstHeading" class="firstHeading mw-first-heading">Search results

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  • این سایت معتبر را ارزشمند یافتم این سایت معتبر را ارزشمند یافتم Sunday, 01 December 2024 00:56 Reply

    Keep on working, great job!

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